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The Regular and XL editions retail for about $520 and $899 respectively. While this may have you drooling, Altiverb’s incredible power also comes with a hefty price tag. You can dial in a cavernous dreamy sound with the IR from a real church or get some intimate space with an amazingly realistic chamber reverb.Ī feature to search by keywords and visual representations makes it a breeze to find the perfect sound and recall it any time later. It has an abundance of world-class reverb ambiances to choose from to treat your vocal track. It features a handy IR library view where you can scroll through and audition hundreds of available impulse responses, with more added monthly.
ALTIVERB 7 REVIEWS MOVIE
It has a staggering library of impulse responses painstakingly recorded across the world in venues ranging from the Wembley Stadium in London to ancient caves in Malta and everything in between.įrom adding realism to movie dialogue with the ambiance of a bedroom or bathroom, to giving your vocal the actual reverb sound of the chamber Frank Sinatra recorded in, Altiverb can handle any reverb task thrown at it. Piano, and synths from some live improv sessions.Altiverb is the godfather of convolution reverb plugins and is reputed for being the standard choice for high-end studios and legendary engineers.
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Recycled some of my own previous work in the form of some renoise loops, I took this process of sampling previous releases one step further and I then rendered this to aīacktrack which was duplicated, each running different effects, EQ, etc.
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Of about 30 minutes without preserving pitch. I timestretched them all to an equal length Statement: "For this piece all previous Dystimbria releases were "Forsaken Ghosts" by The Icarus Descent has the following Artist Sections, each a separate species, but all inspired by the same noises Speciation because these sounds are evolving. Things up with some self-made IRs in altiverb. I worked in ableton live using max for live for effects and dirtied Using my voice, I tried to harmonize with the noises. Method: I focused primarily on pulling apart Scott Lawlor's intro fromĭYS015 "The Ebb and Flow of the Cycle of Time" using melodyne's "Across the River" by Katie Gately uses samples from all current Dystimbria tracks numbers 1 through 15. Through the amplitude modulation of the effects section of sound forge." Track is the sample of Alan Morse Davies - "Llais-saL" which I put Motifs you hear throughout the duration of the piece. Method: "I created loops from extracted bits of the 7 Previous Dystimbria tracks, numbers 3, 4, 6, 8, 9, 11 "The Ebb and Flow of the Cycle of Time" by Scott Lawlor Resequenced, repitched and run through a number of effects using Reider, Alan Morse-Davies, Cinchel & Phillip Wilkerson. Snippets that were sampled from Dystimbria releases numbers 1, 6, 10 &ġ3 by C. "BEASTS (Homunculus-Basilisk)" by Schemawound uses nine The word "dystimbria" was coined by neurologist and author Oliver Sacks, meaning a loss of the ability to discern timbres. Each track was required to incorporate a sample from the previous track, making the whole collection an interconnected continuum, genetically related. Dystimbria was a project intended to find common ground or cross-pollination between ambient music and noise music.